︎
LOUIS POHL KOSEDA
Bio   Newer  Earlier  Writing 
 
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Key research documents about my artwork:
  ︎Provenance Essay, Words by Simona Dolores PHD, Senior Provenance Researcher, Christies London

︎CAR artwork summary, Words by Sun-End

Articles:
︎Riba journal, My own writing about the Covid work,
︎Riba journal, McEwan award, Words by by Eleanor Young
︎BBC article
︎The Independent, Words by Zoe Beaty
︎The Evening Standard, Words by Gregory De Wode
︎Design week, 
Words by Sarah Dawoodd
︎Huck Magazine,Words by Emma Latham Phillips
︎The Guardian, Jonathan Nunn
︎The Telegraph, Words by Tomé Morrissy-Swan
︎Making a Mark, Words by Katherine Tyrrell
︎Novara media, 
︎Dezeen, Venice Bienalle feature
︎London born and Bred,
︎Vittle’s,

Personal Art Theory writing
  ︎Doomscroll: New art and the nature of human intelligence in the age of machine learning,
︎Dumfries House,
︎Why am i drawing again?,
︎The Next Step for NIDA.
︎The Patch of Grass on Wheels,
︎The foodhall Project (2016 write up)
︎National Food Service: A framework for social Prescription.
︎The Caravan project.
︎The oligopoly of housing. Why the RIBA has a responsibility to create new funding systems in architecture.
︎Covid Food Strategy for the National Food Service
︎Tiny Consensus.
Descisionmaking structures for art collectives
︎︎Universal Design processes for social architecture
︎EASA, The Journey.